Curator's Note
The curatorial role currently determined by
artists is a reverse itself; yet should the role turn redone
would come an experimental framework for artists and curator
to explore together as I am doing now. To work on differences
is nothing new to me yet each time is challenging still. In the
BOND exhibition 'friendship' made thematic framework for it originally
brought the White Group into existence with main influence of
the late Montien Boonma. BOND is meant to look beyond personhood
of the artist but rather to relationship between and among art
and artists.
It is true that 'Bornd' can be a sentimental
matter less influenced by any trend of contemporary art. Yet
like the other sentimental alike; feeling, belief, faith, soul,
imagination and the non scientific in any art practices, it all
can take part in a cultural identity, Thai identity in this case.
The attempt to raise the issue of personhood
and relationship here explains that a myth is held in the Thai
society about the good and the famous as always the same case,
which show insufficient professionalism in principle and in practice.
This time the White Group explores beyond personhood, of artist
Montien Boonma, to relationship, with Montien's art, developed
from their sharing experiences and thoughts in art and art exhibitions
along those years of friendship, naturally with discrepancies
of insights at times. The BOND yet again comes with a string
to the relationship with Montien as a person that bears influence
on this thematic exhibition.
An ultimate agenda in this exhibition is the
pure, friendly intentions of the White Group towards along lost
friend with no hidden business agenda. I personally see it respectful,
to the artist, audience and society.
Ark Fongsmut
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